I invite you to follow my cinematographical and pictographical whims by following me on Instagram.
Here’s a video of my latest altar flip:
I was a guest on The Something Something Podcast.
Had a great time nerding out with hosts Kitty Brown and Michael John Simpson.
“Joining us again is bad-ass Sith master assassin, Kitty Brown. This week’s guest is artist, animator, writer, and creative director at Abine, Inc., Brian Duffy. We sat down to talk about first world problems, chaos magick, Inside Amy Schumer: 12 Angry Men, the concept of spoilers, Star Wars canon vs. EU, interplanetary vs. intraplanetary culture, sex vs. violence, internet security, universal connectivity, and tarot.”
Click here to listen to the episode
A delightful conversation of which I had the privilege to instigate and participate at Lightning in a Bottle 2013.
“Are technology and spirituality mutually exclusive? Is there a middle ground between New Age Luddites and Materialist Atheists? Are we capable of transcending religious tradition and inventing DIY magical systems in the age of computers? Have our smartphones become our animal totems? Is the internet a new Dreamtime? In this talk, 2012 author Daniel Pinchbeck, Evolver LA’s Brian Duffy, and Evolver Baltimore’s Robin Gunkel will examine the diverse trends that seem to be accelerating us towards an unprecedented symbiosis between natural and artificial, between material and immaterial.”
Click here to listen to the talk, recorded by The Do LaB
“What happens next?”
The crisp and well-folded seam between the aeons was pressed tight by a fierce diamond ruler whose length outgrew all the counted galaxies laid end-to-end like a string of infinite precious pearls. The world finally collapsed away like a pop-up book, all the stories and places nested together into a perfect flatness. It made a pleasing sound as I lowered it snugly into its slipcase and gently placed it back onto that great and terrible shelf.
Continue reading The Library
We’re starved of the “true purpose” of culture, which was for the culture of our families to give us a sense of context and relationship between our individual lives and the transcendent interconnectedness of nature.
So many of us are starved of this power, and in desperation some of us twitch and grasp to cling to the baubles and strings hanging from any culture that even suggests a whisper of knowledge of this force that our immediate families, by no fault of their own, never even knew existed.
And thank God for music being the fail-safe to reconnect us to that force. The wordless magnetism of the holy in nature can call to us from a drum and a throat, or it can call to us through a drum machine and a synthesizer. It calls through the ancient rhythms of pre-history thumping in our hearts, and it calls through the fresh melodies composed on a dusty laptop in the hours before taking the stage.
But those orphan seekers of the holy in nature, as they stumble towards the dance floor to drink deep with their parched throats, will risk, in their blinking stupor, trampling upon anyone who was already there, healthily interfacing with the holy in nature, or even worse, the seekers will claim to be the discoverers of the holy in nature, holding it aloft as not a divine obligation, but another trophy for the shelf of the new-aesthetic-craving ego, and risk carrying on to further starvation and further trampling.
Photo by David Pricco
It’s been 5 years since I set up an altar in my bedroom and decided I was going to use it to figure out what spirituality meant to me.
Here’s what I’ve learned:
Continue reading An Introduction to Sacred Space and Ritual Magic
Humberto Braga’s latest article, How and Why “Conscious” Festivals Need to Change, has been causing a stir recently. He assembles many of the popular criticisms of Burning Man and “Festival Culture” at large, claiming that there is a dangerous hypocrisy at work, that transformational festivals are inadequate because they apparently have not produced any meaningful political change, and could in fact be reinforcing the sinister political agenda of mainstream culture.
Continue reading How Burning Man and Festival Culture Make Change Personal
This is my first poem. It spilled out of me after a Holotropic Breathwork session had caught an echo of a shattering experience I had meditating in front of my altar some months prior.
Later that year, at Burning Man 2011, my first year of attendance, I scrawled the poem on a pillar at the Temple of Transformation.
Several years later, while googling one of the lines to see if anyone else happened to have used it before, I stumbled across this website.
Continue reading The Deafening Crack of the Immaculate Black Thunderbolt
While Neill Blomkamp’s Elysium depicts a highly exaggerated science-fiction future, and Charles Shaw’s The Plastic People presents the grim conditions of the all-too-real present, the inspiration for both films came suddenly and unexpectedly from the same brutal streets of Tijuana, Mexico.
Continue reading The Other Side of the Border: Elysium and the Plastic People
On many occasions I allow myself the perverse indulgence of participating in public conversations on Facebook. The signal to noise ratio is vast, but it can be managed. Careful attention and a generous sifting of one’s feed can reveal honest, coherent debates like golden nuggets hidden among the shouting and posturing sands.
One topic that enjoys frequent and fervent percolations is the debate surrounding accusations of insensitivity and cultural appropriation among today’s Transformational Festival attendance, particularly in the case of non-natives wearing replicas of feathered headdresses known to be styled after specific arrangements used in the sacred war bonnets of the various Plains Nations that once roamed what is now the central region of the United States.
Continue reading The Headdress Thing – Fesitval Culture, Native Culture, and the Death of Culture